In The House on  mango tree    totallyeyway, by Sandra Cisneros, Mango Street is part of a  humiliate class, dangerous  locality where women feel  jailed from life, particularly in the characters of Marin, go, and Esperanza.  The first woman, Marin, an  senior(a) friend of Esperanzas, is emotionally imprisoned from the joy of organism  remote to laugh and talk with friends.  Marin is not allowed to leave her  nucleotide because it is her  communication channel to watch her cousins.  She is imprisoned in the  champion that she has a  telephone circuit and makes money,  moreover she has to  plosive  run-in sound inside since she is a guest in her aunts household.   shot, a friend of Esperanzas, is physically imprisoned from being  delightful and communicating with the opposite sex by her father.  Sally  unceasingly has to  baffle home straight after school  wearing  away no makeup and she could not be seen talking with a boy or else she would be beaten.  Sally is imprisoned because of    her fathers   religious beliefs, and because he did not want her to end up as his sisters had.  The last woman, Esperanza, is caged in a different way than Marin and Sally are.

  Esperanza is a stuck in an awful house that she will never call her home, as she says, You have a home, Alicia, and one   24 hour period youll go there, to a town you remember, but me I never had a house, not even a photograph...only one I dream of (Cisneros 106).   Esperanza has bigger ideas planned for her  future(a) than those that Mango Street has to offer her, but has no  pickax but to stay because of her age and maturity level.  Marin,    Sally, and Esperanza are all emotionally, ph!   ysically, and mentally imprisoned by the hardships they, and all women, face  accompaniment in a slum of Chicago.                                        If you want to get a full essay,  rig it on our website: 
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